8/16/2023 0 Comments Matthew fox alex cross weightOf course, Cross gets assigned to the case and must use all of his amazing skills as a detective to hunt down and stop the killer before he can take out any more of his targets. Meanwhile, a psychotic serial killer, Picasso (Matthew Fox), has been going about trying to kill various people that are all connected to a businessman, Leon Mercier (Jean Reno). He has a wife (Carmen Ejogo) and two kids at home and is considering taking an FBI profiling job now that his wife is pregnant with their third child. However, if it was the filmmakers who decided to replace him, then they couldn’t have made a bigger mistake.Īs the film opens, we find Alex Cross (Tyler Perry) going about his normal job. If it was Freeman who opted not to come back, it seems he knew exactly when to jump ship. Now we come to the third adaptation, simply titled Alex Cross, which no longer features Freeman. Kiss the Girls and Along Came a Spider were interesting mysteries, and while they may not have been particularly great films, at the very least they had the great Morgan Freeman as the brooding, contemplative detective. Now I’ve never read a single one of his popular novels, but I have seen the films. So far, there have been 17 books and three film adaptations. Fox is plenty convincing as the cretin without the merest morsel of humanity, while the other actors just cash their paychecks, notably Jean Reno as a French industrialist with an unexplained penchant for turning the city of Detroit around.Author James Patterson has been writing about his infamous detective, Alex Cross, for several years now. ![]() Although watchable and certainly different from the usual run of leading men, he’s not really all that interesting in this character. Towering over the other actors (he’s 6-foot-5), Perry lumbers around with a degree of charisma but a lack of emotional range or variety in line delivery. The camera shakes big time in another sequence when a major lead is discovered that might lead to the killer, and a coda set in Bali is preposterous in the way one of the characters spews out information he has no need to disclose. Picasso torments Cross with taunting phone calls and always seems a step or two ahead of his pursuer, for whom the hunt becomes a personal obsession.ĭirector Rob Cohen takes no time to set up scenes properly to build suspense or, as in the case of the climax and another action interlude involving a car crash, to even make them plausible. On precious little evidence, Cross thinks he has Picasso’s intentions figured out - he seems to be targeting the extravagantly rich - but he and Tommy soon find the victims are too close to home. But domestic decisions will have to wait until the maniac is brought down. The idea of moving doesn’t sit too well with Cross’ wife ( Carmen Ejogo), who announces she’s pregnant with their third child. He would seem to have an unnatural gift for sussing out a bad guy’s m.o., but we never learn anything about this ability, other than that the FBI has noticed it and is paging him to D.C. ![]() Unfortunately, there’s no preparation for the way Cross lays out how the first mass murder went down almost as soon as he arrives on the crime scene, apparently so accurately that his visions of what Picasso wrought are simultaneously presented as fact. As is exhibited all too vividly at the outset, Picasso - as he quickly becomes known for good reasons - loves to torture, to feel his victims’ pain, you might say, and it’s up to Cross and his boyhood friend and partner Tommy Kane ( Edward Burns) to track the maniac down. This is nasty psycho-killer film plain and simple, centered on a wily and well-armed sicko who flat-out announces that, “Inflicting pain is a crucial part of my true calling.” In order to look more cadaverously sinister, Matthew Fox ( Lost) might have shed more weight for a role than anyone since Christian Bale went skeletal for The Machinist. VIDEO: ‘Alex Cross’ Trailer Pits Tyler Perry Against Matthew Fox This repositioning suits the fact that Perry is about 20 years younger than Morgan Freeman was when he played the role in Kiss the Girls in 1997 and Along Came a Spider four years later. ![]() Not directly based on any single one of Patterson’s novels about the brilliant investigator and forensic psychologist but credited nonetheless as an adaptation of Cross, the script by Mark Moss and Kerry Williamson takes the man back to his pre-Washington and FBI days, when he was a cop on the Detroit police force (though some might notice that, for financial reasons, the film was shot largely in Cleveland).
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